Since her breakout with her self-titled 2019 mixtape, SLAYYYTER has been effortlessly shifting between different worlds of pop. With her debut album Troubled Paradise (2021) and the flamboyant STARFUCKER (2023), she has established herself as one of the most singular voices in contemporary pop. Her viral hit "Daddy AF" even landed a standout moment in the Oscar-winning film Anora. Along the way, she has garnered acclaim from outlets like Billboard, Paper, Variety, Rolling Stone, and Pitchfork, and shared stages with artists like Tove Lo and Kesha—all while building a devoted fanbase that has embraced her uncompromising style.

But despite that success, SLAYYYTER decided it was time to push further. Less filter, more instinct. Fewer characters, more of her true self. Or, as she puts it: the WOR$T GIRL IN AMERICA.

With her third album, WOR$T GIRL IN AMERICA, SLAYYYTER enters a new chapter. It is both her most personal and most uncompromising project to date. For the record, she returned to her roots in St. Louis to create what she calls "iPod music": a wild mix of feral punk, corroded pop, and shameless rap. It’s music that sounds like it was ripped straight from a chaotic teen playlist—where everything happens at once.

With singles like "BEAT UP CHANEL$," "CANNIBALISM!," and "CRANK" building major momentum throughout 2025, fans have fallen hard for this rawer, brasher version of SLAYYYTER. WOR$T GIRL IN AMERICA feels like a reset button: the SLAYYYTER we thought we knew is left behind, making room for a new, even louder version to emerge.

On Wednesday, October 28, 2026, she brings that energy to Trix in Antwerp. Anyone who has seen SLAYYYTER live knows that her shows rarely stay "well-behaved" for long. Choruses are belted out, the energy hits the ceiling, and by the end of the night, it feels like everyone has landed in the same chaotic pop playlist.

And that is exactly the point.